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14-15 September 2007
PROGRAM
Friday 14 September
Evening Program
Theatre Y2.05
> 5.30pm - 5.45pm
.. Welcome and Festival Opening
Address
> 5.45pm - 7.00pm
.. Australian
Panorama
> 7.15 - 8.30
.. International
Program #1
Saturday
15 September
Matinee
Program
Theatre Y2.04
> 12.00pm -1.15pm
.. Kids
Program (best suited for younger kids)
> 1.30pm - 2.45pm
.. Teen
Program
> 3.00pm - 4.15pm
.. SIGGRAPH
Highlights 1
.. (Special Interest Group for Computer
Graphics)
Room R1.06
> 3.10pm - 4.40pm
.. Master
Class: “Wind Water & Flags: Creating
.. flow effects with Flash”
Theatre Y2.05
> 12.15pm -1.30pm
.. International
Program #1 (repeat)
> 1.45pm - 3.00pm
.. Australian
Panorama (repeat)
> 3.15pm - 4.30pm
.. SIGGRAPH
Highlights 2
.. (Special Interest Group for Computer
Graphics)
> 4.45pm - 6.00pm
.. International
Program #2
Evening
Program
Foyer
> 6.00pm - 7.00pm
.. Interlude in foyer with localworks
in progress
.. screening
Theatre Y2.05
> 6.10pm - 6.50pm
.. Local
Animators Forum
> 7.00pm - 8.15pm
.. Digital Program
> 8.20pm -9.35pm
.. Late Night
Bizarre
TICKETS
Festival Pass and session tickets available over the counter, by
phone or at the door.
In person at:
The Plaza Shop @ Goodman Plaza
Southern Cross University
Lismore Campus
By phone:
(02) 6622 2311
(credit card purchases only)
Prices
$25 Pass pre-booked,
(plus Master class $10 = $35)
$30 Pass at the Festival,
(plus Master class $10 = $40)
$10 per session ticket
$15 Master class without a pre-booked Festival ticket
Pre-book your tickets to be in the draw for a ‘Collectors
Fullmetal Alchemist’ DVD
VENUE
Southern Cross University
Whitebrook Theatre (Y Block)
Military Rd, Lismore NSW
Entry via - Military Road OR Kellas Street
(Off Ballina Rd)

Admission is restricted to 18+
(except for Kids & Teen programs)
IMPORTANT: Film classification regulations
do not allow us to admit any person under the age of 18 years.
Do you want to screen
the AIAF tour at your venue?!
Please email the AIAF team to request further
details.
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| International
Program #2
Saturday 15 September 2007 @4.45pm
Theatre Y2.05
The backbone of the annual AIAF mission! These
programs are your big picture view of the international animation
scene. |
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Story
Ville M. Nove-Josserand, P. Kraft,
F. Mounie, France, 6'00
A mournful, jazz rabbit carefully lays his trusty old trumpet
to rest – provoking an unpredictable but rousing response. |
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Moments Of
I Don't Know Meghana Bisineer,
UK, 5'00
Deceptively simple, elegant hand drawn animation following the
ebbs and flows of a everyday conversation.
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Songs From
The Haven Of Despair Jazzmen
Lee-Johnson, USA, 6'30
An easy inclusion in the program. A film that draws from a rich
gallery of stencil & street art imagery with a great sound
track thrown in for good measure.
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Soldier
David Peros-Bonnot, Croatia, 4'30
A statue of a soldier runs amok amidst a cityscape of questions
and plots. |
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Rip
Janette Goodey, New Zealand, 1'30
A short, elegantly animated work seamlessly entwined with an
especially created - equally elegant – classical music
piece. |
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Without An
Of Brian Bloss, USA, 3'00
An intense, visually arresting tracking shot of a desparate
rush down a street – with a twist and a push at the end. |
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Bows And Arrows
Stephen Irwin, UK, 6'00 ‘Animated
comic strip meets B Grade city crusher movie’ style. A
very bad robot hits the streets. Our only hope is ….”The
Fat Weevil”.
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Carnivore
Reflux The People's Republic
of Animation, Australia, 7'00
A delicious, juicy look into humankinds carnivorous ways. |
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Postman
Mischa Rozera, Holland, 1'45
Beware, the inbound nuclear PP01 is bound to some problems when
it unleashes a pack of giant mutant digital dogs. |
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Endangered
Species Tony White, UK, 10'30
Can you imagine a world without hand drawn animation? It’s
not happening but this animator definitely feels on the endangered
list. |
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X.Pression
Laurie Thinot, France, 3'15
A visual tsunami of rich, x.treme, x.citing visual imagery –
straight from the electric socket to the big screen. |
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Yarn…Good
Light Is Essential
Reka Gacs, UK, 3'00
A thousand uses for
A fascinating film showing that all an animator really needs
is a single line and a really good idea. |
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The Post It
Prison
Ricky Martin, UK, 2'00
Thousands of little ‘Post-It’ Notes were harmed
in the making of this film – and the little guy trying
to escape took a few hits as well. |
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The Tale Of
How
The Blackheart Gang, South Africa, 4'30
A film of such intense, magnificent visual splendour that words
fail us. A veritable cauldron of imagery from an uber animated
world beneath the sea. |
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Sponsored by SCU’S Bachelor of Media
Degree and


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