Australian International Animation Festival > Wagga Wagga 18-20 June 2007

14-15 September 2007

PROGRAM
Friday 14 September
Evening Program
Theatre Y2.05
> 5.30pm - 5.45pm
.. Welcome and Festival Opening Address
> 5.45pm - 7.00pm
.. Australian Panorama
> 7.15 - 8.30
.. International Program #1
Saturday 15 September
Matinee Program
Theatre Y2.04
> 12.00pm -1.15pm
.. Kids Program (best suited for younger kids)
> 1.30pm - 2.45pm
.. Teen Program
> 3.00pm - 4.15pm
.. SIGGRAPH Highlights 1
.. (Special Interest Group for Computer Graphics)
Room R1.06
> 3.10pm - 4.40pm
.. Master Class: “Wind Water & Flags: Creating
.. flow effects with Flash”
Theatre Y2.05
> 12.15pm -1.30pm
.. International Program #1 (repeat)
> 1.45pm - 3.00pm
.. Australian Panorama (repeat)
> 3.15pm - 4.30pm
.. SIGGRAPH Highlights 2
.. (Special Interest Group for Computer Graphics)
> 4.45pm - 6.00pm
.. International Program #2
Evening Program
Foyer
> 6.00pm - 7.00pm
.. Interlude in foyer with localworks in progress
.. screening
Theatre Y2.05
> 6.10pm - 6.50pm
.. Local Animators Forum
> 7.00pm - 8.15pm
.. Digital Program
> 8.20pm -9.35pm
.. Late Night Bizarre

TICKETS
Festival Pass and session tickets available over the counter, by phone or at the door.
In person at:
The Plaza Shop @ Goodman Plaza
Southern Cross University
Lismore Campus
By phone:
(02) 6622 2311
(credit card purchases only)

Prices
$25 Pass pre-booked,
(plus Master class $10 = $35)
$30 Pass at the Festival,
(plus Master class $10 = $40)

$10 per session ticket
$15 Master class without a pre-booked Festival ticket

Pre-book your tickets to be in the draw for a ‘Collectors Fullmetal Alchemist’ DVD

VENUE
Southern Cross University
Whitebrook Theatre (Y Block)
Military Rd, Lismore NSW
Entry via - Military Road OR Kellas Street
(Off Ballina Rd)

Admission is restricted to 18+
(except for Kids & Teen programs)

IMPORTANT: Film classification regulations do not allow us to admit any person under the age of 18 years.

Do you want to screen the AIAF tour at your venue?!

Please email the AIAF team to request further details.

Digital Program Saturday 15 September 2007 @7.00pm Theatre Y2.05 AIAF’s annual update on the digital domain within the animating community. Most animated films get run through the tiny silicone corridors of a computer at some stage in their gestation but this program pulls together the best recently released films that lean heavily on a digital aesthetic for their inspiration and impact. These films can be fully narrative, abstract or drawn from the culture of the gaming community. A collection of films reflecting the outstanding results creative animators are extracting from the tools of their trade.
	458nm Jan Bitzer, Ilija Brunck, Tom Weber, Germany, 5'30 Fog has devoured the forest, which saw your quietest happiness……a low down natural scene rendered in shiny metal.
	Cellusions G. Vu, R. Roussel, C. Da Rocha, J. Da Silva, France, 2'15 A richly imagined, cubic rendition of the evolution of man.
	Faces Hendrick Dusollier, France, 5'45 A twisted, spectacular piece of grotesquery focusing on a face trapped in a dangerous prison of the mind.
	Krijt (laatste van het systeem) Klaas Lagevern, Holland, 6'30 A solitary figure – the chalked phantom of a crime scene – begins an inquisitive roam through the greying urban labyrinth.
	Moloch Marcin Pazera, Poland, 7'15 A film of awe inspiring textures and intensely imagined detail presented as if through a cinema verite camera.
	Monster Samurai Moto Sakakibara, USA, 6'45 A pretigious killing machine of a warrior is challenged to save as many lives as he has taken.
	NannyBot Urban Velkavrh, Slovenia, 3'45 A salutory tale of good robots turning bad. NannyBot accidentally kills the child and comes up with a special repair job.
	Perplexus Gavin Dean, UK, 2'15 A whispy character composed of alphabetic DNA is tracked through his desparate climb to the top.
	Ray Ray Armagan Ballantyne, Jon Baxter, New Zealand, 7'45 An astonishing train ride through the light fantastic.
	Sigg Jones D. Lassance, M. Bessudo, J. Vuillemin, France, 7'00 A spectacular piece of animated choreography drawing from the design and pacing of gaming with more than a nod to The Matrix.
	The Crown Tatyana Trifonova, Bulgaria, 2'15 There’s only so many leaders, only so many followers, only so many plots – and only so many times a knife can go into the back.
	Tough Guy! 2005 Special Edit Version Kishimoto Shintaro, Japan, 7'00 Think insects on steroids and you’re part way there. A supercharged, big picture crash-tackle into a tiny world.
	Une Charogne O. Berry, A. Cui, O. Sipesaque, CH Tung, France, 4'15 Almost too much detail for the eye to muster. A flowing, gliding journey through a forest of surreal beauty.
	Doll Face Andy Huang, USA, 4'15 The haunting deconstruction of a digital/human/robotic face. A truly fascinating film which blurring every technical and creative line.

Sponsored by SCU’S Bachelor of Media Degree and